Friday, June 19, 2015
Almost Coherent Ramblings #1: INSIDE OUT turns me INSIDE OUT
A few weeks ago, I talked about my relationship with movies dating back to age 15. The greatest friendship I have (other than the one with the girl I wake up next to every morning) is one with the glowing image that flies over my head in the dark. As I sit there, it is my hope that every movie I see is special. And the most consistently special movies are the ones made by the guys with the overexcited desk lamp, Pixar.
I remember Woody & Buzz learning to not just co-exist but become best buds at age 10. A young fish went missing at 16. At 19, I fought alongside a family of superheroes. I saw a rat’s culinary dreams come true at age 21. I sat in awe as two robots fell in love at 22, an old man live out his dreams at 23, and cried like a baby seeing Woody & Buzz live on in a kid’s imagination at 24.
Simply put, Pixar had a track record of creating animated masterpieces on a fairly consistent basis. Their last three movies, CARS 2, BRAVE and MONSTERS U, left much to be desired. After those two sub-par sequels and a disastrous original idea, Pixar needed a needed a shot in the arm. It appeared that they found one in INSIDE OUT, a story about our emotions with Amy Poehler in the lead & Pete Docter in the director’s chair. All is well & good now, right? Right…?
INSIDE OUT follows Riley, a happy little girl who finds Joy in everything, especially ice hockey. But after a move from Minnesota to San Francisco, her other emotions, Sadness, Fear, Disgust & Anger, start getting a work out. Can Joy straighten things out?
As I sat there watching the 94 minute movie, I had each one of these emotions come over me, most at inopportune times. First, there was the unrelenting joy that came over me during the pre-show commercials. Every single one of those memories above washed over me as I looked over the crowd and saw the audience members of all ages, evenly divided among those older & younger than I as we eagerly awaited for that moment when we were placed under Pixar’s spell. And for 20 minutes or so, I felt that as I watched the opening montage and the setup of the first act.
Then, something strange happened. When the movie kicks into its second act, Disgust took over. Disgust at the direction the main plot was taking. Why in the world would you make the centerpiece of the movie about feelings & memories a mostly physical endeavor? Disgust slowly moved over as Anger sat at the controls as the movie kept in the same director. Why have movie about the mind that continues to stay outside it and get more & more needlessly complicated?
I thought all hope was lost until…the heroic Sadness tries to save the day, with a little help from Joy. INSIDE OUT ends with a final five minutes so perfect that it feels like it was stolen from another movie. An ending that mixes sorrow & hope perfectly, like Pixar has done before.
As the credits rolled and the credit cookies had played, Sadness & Fear began piloting my state of mind and continues to this very moment. I fear, with the current movie landscape, that movies have passed me by. With all the negative or mixed reviews I’ve been giving lately, I wonder if it’s time to stop caring so much. Stop trying to get my hopes up. Stop trying to get others to listen.
But I can’t. Why? Because of the little moments that Joy takes over, sometimes accompanies by Sadness. Where would I be without seeing WALL-E & Eve dance in space with the help of a fire hydrant? Or having not flipped through Elle Fredrickson’s scrapbook? And what would I do without having seen Riley grow up in 4 minutes?
To put it simply, to be human is to feel. And, for me, the best place I can feel anything is in a darkened theatre with those beautiful images projected on screen. And while Pixar didn’t fully do it this time, I’ll keep going back. Why? Because of the Joy, Sadness, Fear, Disgust & Anger I feel with every movie I see. I love it.