Wednesday, June 3, 2015

Review: SPY

I do not own the above image.  Copyright 20th Century Fox. All Rights Reserved.

            Can a movie be just funny with little to nothing of quality behind it?  That is the argument I got myself into with myself in the three weeks since seeing SPY.  I’ve been racking my brain for a movie that is so funny that the shortcomings of the story and look of the movie can be overlooked.  And for the two plus hours of writing this review, I can’t think of a movie like SPY.  SPY feels like the best vulgar sitcom on television that just leaves you wanting more and better.
            Susan Cooper (McCarthy) loves her job most days.  She is the eyes, ears, radar and conscience for superspy Bradley Fine (Law).  After Bradley is murdered by a super villain Tihomir Boyanov’s just-as-evil daughter Rayna (Byrne), Susan’s worst day of her career turns into the best when her superior (Janney) is forced to send her out into the field to avenge his death, much to the chagrin of the agency’s best spy Rick Ford (Statham).
            Let me just get this out there before I appear to contradict myself in the next 500 or so words: I did in fact laugh during this movie about a dozen times.  There are really, really good jokes spread out over the two hour runtime.  The best jokes are the ones that poke fun at the many spy movie clichés we have become so familiar with in the numerous James Bond movies and their imitators.  McCarthy can throw out the one-liners like the best of the best in Hollywood.  Personally, I’ve missed the charm Jude Law brings to the screen.  And Statham shows that he is no one-trick, action-centric pony with his timing & line delivery.
            SPY’s problems are two fold.  First, the humor.  As much as I laughed, the audience laughed at least 2.5 times as much, which is my problem, not writer/director Paul Feig’s.  But there were a minimum of 15 major attempts at jokes that didn’t result in a chuckle from the preview audience.  How can a comedy be classified as “good” if it is only successful 60% of the time?  Another issue with the humor was the subject matter.
            Remember how I said the best jokes were the ones that poked fun at the spy movies clichés?  Well, those were maybe 25% of the jokes.  A majority of the comedy stems from what is quickly becoming a cliché in the Melissa McCarthy filmography: her appearance.  The occasional quip about her weight, age, beauty (or lack thereof) or physique is fine.  But Feig (or the actors, if this were improv) loads so many of these one-liners, which feels like 60% of the jokes & many of them in rapid succession, that SPY ceases to be funny and starts to feel mean-spirited.  Statham’s character in particular goes overboard.  Rick Ford should have been this totally outlandish James Bond-type character.  Instead, too often, he’s just an asshole.
            Where SPY really loses its way is in the antagonist department.  Feig deserves credit for making the audience hate Rayna.  We should all hate anyone who kills Jude Law.  Where the movie falls apart are the constant reminders that Rayna isn’t the center of the operation.  That distinction belongs to Sergio De Luca (Cannavale).  De Luca is frequently referenced throughout the movie but we only get to spend time with him in the final 20 minutes or so.  If a villain is going to be hyped as much as De Luca is, he better be worth the wait.  Unfortuately, De Luca is nothing but a commanding, all-bark-but-no-bite ringleader who steals the spotlight by being the center of the uneventful climax.  Cannavale plays De Luca so straight & wooden you’d swear a cardboard cutout were on-screen.
            I’m asked many times by many people if it is possible for me to just sit back and enjoy movies.  When SPY was funny, I laughed.  But when I (or the audience) don’t laugh, you have to find something to pay attention to.  And if the story underneath the comedy is lacking despite the great first act, your mind tends to wander.  And wondering I was.  Wondering just how high McCarthy’s star can go.  Wondering if the script could have used another rewrite to tighten the humor & the second half of the movie.  Wondering if I am wrong about this movie.


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